Dance music can be obtained from many sources. Dancer Guy has
bought a lot of dance music, and from a variety of sources,
inluding Amazon.com, Apple Music Store, FYE (in Fort Collins' Foothills
Mall), Barnes and Noble,
Of course, there are many, many more groups and artists in all the categories listed below, but the lists include enough to get your music collection going quite nicely.
There are many excellent Latin artists and groups out there who perform songs appropriate for Salsa, Cha-Cha, Rueda, Merengue, Bachata, and so forth. Here are some of Dancer Guy's favorites, in no particular order:
Although there are various styles of Latin music, several of them are quite similar to each other, and therefore it is very common to take a song that is defined for one style of Latin dance, and use it to dance a different style of Latin dance, simply because it works. In the table below are some of the most popular styles of Latin dances, along with their approximate tempo ranges. Note that there is some overlap, so a 140BPM song could be done as either a fast Cha-Cha or a slow Salsa. Similarly, a 230BPM song could be danced either as a fast Salsa or a slow Merengue. Of course, some songs, because of their style, lend themselves especially well to one particular style of dance, and dancing a different style to such songs might feel a bit forced and unnatural.
Music Style | BPM Range |
---|---|
Cha-Cha | 80150 |
Salsa | 130250 |
Merengue | 210300 |
Here, in no particular order, are some of Dancer Guy's favorite artists for Swing dancing music:
There are various styles of Swing dancingLindy Hop, Charleston, Jitterbug, Balboa, Shag, and so forthand which one you decide to do is influenced by the song being played or performed. For example:
The definitions of "slow," "medium," and "fast" are deliberately omitted in the descriptions above, because there is much overlap in those labels, and what is slow for one person might be fast for another person. And technically, you can do any of the Swing styles listed above to any tempo of swing song, but if the music is too slow for the style of dance you're doing, you might almost fall asleep while dancing, and if it's too fast, you could get physically exhausted after only a few dances. So, dance the styles of dance that are compatible with the speed of the song and your skill level.
As with Latin music, there are several subsets to Swing music, and they each have their optimal tempo ranges. Below are the approximate ranges, in Dancer Guy's opinion, of these various swing styles:
Music Style | BPM Range |
---|---|
Triple-Step Jitterbug | 80140 |
"Normal" Jitterbug | 130230 |
Lindy Hop | 110200 |
Balboa | 150230 |
There are many styles of Ballroom dances, and many of those styles are so different from one another, that it's difficult to lump them all together. There are three styles of dance that Dancer Guy teaches that are commonly categorized as Ballroom dances; below is a little commentary on them:
Foxtrot: Foxtrot is a dance that it typically danced to 4/4 music, and the dance itself has eight-count dance measures (i.e., foot-movement patterns eight counts long). Foxtrot also has six-count foot-movement patterns, but there are more eight-count patterns than six-count patterns.
Below are some artists who do a lot of music that is appropriate for Foxtrot:
And, of course, Foxtrot is such a versatile dance, you can do it to Swing, Blues, Latin, and other styles.
Nightclub Two-Step: Nightclub Two-Step can be danced to many of the same songs as Foxtrot, so the artists mentioned in the Foxtrot section above will have many songs to which you can dance Nightclub Two-Step. In addition, since Nightclub Two-Step is often considered a country style, also consider the 4/4 songs by:
Waltz: Waltz is danced the 3/4 music, but since it has six-count dance measures (i.e., foot-movement patterns six counts long), a Waltz at 120 BPM (beats per minute) feels faster than a Foxtrot at 120 BPM, because there are more measures per minute, since each measure is shorter. At 120 BPM, a Waltz has 20 dance measures per minute, but a Foxtrot has only 15 dance measures per minute (assuming eight-count patterns in the Foxtrot).
Cha-Cha: Cha-Cha is also a Latin dance, and was therefore covered above, in the Latin Music section.
Foxtrot and Nightclub Two-Step are usually danced to music that has a 4/4 time signaturea well-behaved one-two-three-four, one-two-three-four. With such music, the "slow" steps are two counts long, and the "quick" steps are one count long, as in the eight-count steps shown here (the red cells indicate downbeats of their respective measures):
Music-Measure Beats | 1 | 2 | 3 | 4 | 1 | 2 | 3 | 4 | ||||
---|---|---|---|---|---|---|---|---|---|---|---|---|
Dance-Measure Beats | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | ||||
Foxtrot Steps | Slow | Quick | Quick | Slow | Quick | Quick | ||||||
Nightclub 2-Step Steps | Quick | Quick | Slow | Quick | Quick | Slow | ||||||
|
However, both Foxtrot and Nightclub Two-Step can be danced to 6/8 music. Blues music often uses a 6/8 time signature, so for the purposes of this discussion, music with such a time signature will be referred to as Blues music (of course, there is Blues music that is 4/4 and other time signatures as well).
To dance Foxtrot or Nightclub Two-Step to Blues music, you'll need to adjust the timing of your feet, since a dance measure would consist of two six-count music measures, instead of two four-count music measures. And instead of a "slow" step being two counts and a "quick" step being one, we'll need to make a "slow" step three counts long, a "medium" step two counts long, and a "quick" step one count long.
Music-Measure Beats | 1 | 2 | 3 | 4 | 5 | 6 | 1 | 2 | 3 | 4 | 5 | 6 | ||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Dance-Measure Beats | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | ||||
Foxtrot Steps | Slow | Medium | Quick | Slow | Medium | Quick | ||||||||||
Nightclub 2-Step Steps | Medium | Quick | Slow | Medium | Quick | Slow | ||||||||||
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But perhaps a simpler way to think about it is to coerce the 12 counts into 8 counts, by making all the odd-numbered "pseudo-beats" two counts long (two twelfths of a measure long), while leaving the even-numbered beats one count long; see the "Pseudo-Beats" line in the table below for how this looks. Thus, counting one through eight would then take all twelve counts that the 6/8 music requires, but there would now be the eight "compartments" required to define your foot movements. A "slow" would still be two pseudo-beats in length, while a "quick" would remain one pseudo-beat in length, never mind that each pseudo-beat could be either one or two twelfths of the measure long:
Music-Measure Beats | 1 | 2 | 3 | 4 | 5 | 6 | 1 | 2 | 3 | 4 | 5 | 6 | ||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Dance-Measure Beats | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | ||||
"Pseudo-Beats" | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | ||||||||
Foxtrot Steps | Slow | Quick | Quick | Slow | Quick | Quick | ||||||||||
Nightclub 2-Step Steps | Quick | Quick | Slow | Quick | Quick | Slow | ||||||||||
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If you want to figure out the tempo of a songthat is, how many Beats Per Minute it issimply follow this procedure:
Locate the downbeats in the song and, using a stopwatch, count how many seconds it takes for 64 beats to elapse. A simple way to do this is to count them as follows:
Start, two, three, four, five, six, seven, eight,
Two, two, three, four, five, six, seven, eight,
Three, two, three, four, five, six, seven, eight,
Four, two, three, four, five, six, seven, eight,
Five, two, three, four, five, six, seven, eight,
Six, two, three, four, five, six, seven, eight,
Seven, two, three, four, five, six, seven, eight,
Eight, two, three, four, five, six, seven, eight,
Stop.
Start your stopwatch on the word "Start" (Count 1, or the downbeat, of the first measure), and stop the stopwatch on the word "Stop" (Count 1 of the ninth measure). You stop timing on the first count of the ninth measure to make sure you don't leave out the last count of the eighth measure. Note that if you don't know how to locate Count 1 (the downbeat), Dave would be happy to do some private lessons with you, where we concentrate on understanding rhythm and locating downbeats.
Note that you are counting eight dance measures (which are eight counts long), and not eight music measures (which are four counts long). The reason you're counting eights instead of fours is because the rhythm pattern of your feet is eight counts long, not four.
Divide the number of seconds found in Step 1 by 60, to calculate the number of minutes it took for 64 beats.
Divide the number of minutes found in Step 2 by 64, to calculate the number of minutes per beat.
Take the reciprocal of the number found in Step 3, to calculate beats per minute.
For example, suppose you count eight measures (64 beats) and it takes 25 seconds. Applying the steps above:
So the song is about 154 BPM.
In other words:
BPM = 1 / (n / 60 / 64)
where n is the number of seconds it took for 64 counts to elapse. Simplifying the above formula:
BPM = 3840 / nwhere 3840 is 60 x 64.
If you want to figure out the tempo of a song that has a 3/4 time signature, such as a Waltz, the above procedure is slightly modified:
Locate the downbeats in the song and, using a stopwatch, count how many seconds it takes for 48 beats to elapse. A simple way to do this is to count them as follows:
Start, two, three, four, five, six,
Two, two, three, four, five, six,
Three, two, three, four, five, six,
Four, two, three, four, five, six,
Five, two, three, four, five, six,
Six, two, three, four, five, six,
Seven, two, three, four, five, six,
Eight, two, three, four, five, six,
Stop.
Divide the number of seconds found in Step 1 by 60, to calculate the number of minutes it took for 48 beats.
Divide the number of minutes found in Step 2 by 48, to calculate the number of minutes per beat.
Take the reciprocal of the number found in Step 3, to calculate beats per minute.
In other words:
BPM = 1 / (n / 60 / 48)where 2880 is 60 x 48.orBPM = 2880 / n